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Current Portland Show
Painting Texture as Color: Brian Chu

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February 2007: Animals in Art
February 2007: John Knight - Recent Paintings in The Front Room

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October 2006

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John Andrews
June August
Martha Burkert
Albina Colden,
Suzanne deLesseps
Hélène Farrar
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Abbott Meader
Gedy Moody
Deborah Randall
Shannon Richardson
Kathleen Robbins
Jan ter Weele
Arthur Thompson

Workshops
Art & Culture in Tuscany - November 5, 2005

European Victorian Watercolors
European Victorian Watercolors

Past Shows
Kathleen Robbins October 2006
Jeffrey Bye June 2006
Willa Vennema May 2006
The Figure March 2006
Mixed Media - Feb 2006
Printmakers Show - Jan 2006
Group Show - December 2005
Stonington Summer 2005
Landscape Invitational 2005
Abstract Reconciliations: John Andrews & Deborah Randall
Quint-Rose
Ceramics Show 2005
Invitational Landscape 2004

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Deborah Randall
Printable Version   Printable Version
red purse Deborah Randall

Artist Statement
"As a child, I spent countless hours at the beach with my knees and hands buried deep in the sand examining the objects found there. I poked at the traces of life embedded in the clay that filled the sides of the creek behind our house. Polliwogs in mayonnaise jars were kept hostage at my bedside until they sprouted legs. Under impossibily tall oak trees, mysterious moss and lichen covered mounds blanketed the backyard and made nice tables to serve mud pie. These places and the creatures in them were my playground. The rich hues and textures found there inform my palette and the surface of the paintings."

"My imagery ranges from abstract to more literal depiction inspired by personal narratives through memories of childhood and everyday experiences. I am curious about the relationships we have as children and how they inofrm our behavior as adults. Specifically I have been examining issues of power and control and how they are acted out in play.
I have no preconceived notions of the final product and often begin an image with one idea and by the end a new subject or theme emerges. A painting can be a record of a certain period and grows out of the process of searching and questioning, obscuring, and revealing. With subsequent layers exposed, then covered, the passage of time becomes evident in the work. Ultimately, meaning is manipulated and discarded at the xpense of visual order. An effort is made at finding the truth: to develop the places in a painting that are authentic."
ladder
calling